Claudia Macteer, the narrator of the story, she is nine years old and is the best. She grows up in a poor Black community during the early 1940s. Pecola Breedlove, the eleven year old protagonist who narrates. In the novel The Bluest Eye, defining beauty affects many characters’ and supports the theme seen throughout the novel because it reflects their self-esteem due to the media’s perception of beauty.You Still Can't Go Home Again By SARA BLACKBURNThe Bluest eye by Toni morrison - Setting. The author Toni Morrison, stresses plot, setting, characterization, or theme when writing a work of fiction like The Bluest Eye.
Her gentle mother is devoted almost wholly to the practice and pleasures of sensuality. A more precise yet somehow icy version of "The Bluest Eye," it refusesTo invade our present in the way we want it to and stays, instead, confined to its time and place.The heroine, Sula, grows up in a household pulsing with larger-than-life people and activity, presided over by her powerful and probably sorcerous grandmother. They are going to raze the Time and a Half Pool Hall, where feet in long tan shoesOnce pointed down from chair rungs." While the setting and the characters continually convince and intrigue, the novel seems somehow frozen, stylized. It is called the suburbs now, but when black people lived there it was called the Bottom. The book's general outline- how witnessing and understanding tragedy forces the surrender of innocence and topples wide-eyed, precocious kids into unwilling maturity - is a familiar one in American, especially Southern, fiction but its language was unique, powerful,Precise and absolutely convincing, both spare and rich at once.Now comes "Sula," which features another pariah, spans the years 1921 to 1965, and seems to take place in the same setting: "In that place, where they tore the nightshade and blackberry patches from their roots to make room for the MedallionCity Gold Course, there was once a neighborhood.
...
And if she does this, it seems to me that sheMight easily transcend the early and unintentionally limiting classification "black woman writer" and take her place among the most serious, important and talented American novelists now working. If she is to maintain the large and serious audience she deserves, she is going to have to address a riskier contemporary reality than this beautiful but nevertheless distanced novel. This last is a classically unfair carp on the part of a reviewer, but Toni Morrison is far too talented to remain only a marvelous recorder of the black side of provincial AmericanLife. Reading it, in spite of its richness and its thorough originality, one continually feels its narrowness,Its refusal to brim over into the world outside its provincial setting.As the author of frequent criticism and social commentary, Morrison has shown herself someone of considerable strength and skill in confronting current realities, and it's frustrating that the qualities which distinguish her novels are not combinedWith the stinging immediacy, the urgency, of her nonfiction.
0 kommentar(er)
